"Quartet for the End of Time" | The Trans-Atlantic `Ensemble

Colour, atmosphere and a searching sense of time unite this programme, performed by the Trans-Atlantic Ensemble and culminating in one of the twentieth century’s most transcendent chamber works. From the shimmering light of Kaija Saariaho to the mystical visions of Olivier Messiaen, each composer explores sound as colour, something tactile, luminous and alive. Running through the programme is a subtle but powerful connection to France, to Paris as a meeting place of cultures and to the distinctive refinement of timbre, clarity and sensuality found in French music.

Saariaho’s Nocturne opens the concert in a world of hushed intensity. Though Finnish by birth, she made Paris her creative home, studying at IRCAM and immersing herself in a culture fascinated by resonance and spectral colour. In this intimate solo work, the violin seems to breathe and glow, its lines suspended in a delicate play of light and shadow.

With Steamboat Bill Junior, Magnus Lindberg offers something more mercurial and virtuosic. Another Finnish composer long associated with Paris, Lindberg brings rhythmic vitality and brilliant instrumental interplay in music of intense energy and sharply etched character. Even at its most playful, his writing is driven by a vivid ear for instrumental colour, reflecting a deep affinity with the French tradition.

The atmosphere shifts with Between Tides by Tōru Takemitsu. Profoundly influenced by French music, particularly Debussy and Messiaen, Takemitsu developed a distinctive voice shaped by an acute sensitivity to colour and sonority. In Between Tides, the piano trio becomes a landscape of subtle transformation. Sounds emerge and recede like water against the shore, poised between stillness and motion.

After the interval comes Messiaen’s Quartet for the End of Time, composed in 1941 while he was a prisoner of war in Stalag VIII-A. First performed in the camp before an audience of prisoners and guards, it remains one of the most visionary works of the twentieth century. Scored for clarinet, violin, cello and piano, the Quartet transforms limitation into radiance. Birdsong, ecstatic dance, profound stillness and sonorous harmony coexist in music that seeks not merely to measure time but to transcend it.

Together, these works reveal a lineage of composers for whom colour is structural, expressive and spiritual. Whether shaped in Parisian studios, inspired by French modernism from afar or born in the most extreme of circumstances, this is music that invites us to listen deeply, to hear sound as light, space and revelation.

The Trans-Atlantic Ensemble | Founded by composers Michael Small and Philip Dutton

Eleanor Corr (violin)

Anna Hashimoto (clarinet)

Cecilia Bignall (cello)

Alexander Ullman (piano)

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Host or Publisher The Kettner Society